Lute, vihuela, guitar to 1800, a bibliography

by David B. Lyons

Publisher: Information Coordinators in Detroit

Written in English
Published: Pages: 214 Downloads: 467
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  • Plucked instruments -- Bibliography,
  • Lute music -- Bibliography,
  • Vihuela music -- Bibliography,
  • Guitar music -- Bibliography

Edition Notes

Includes indexes.

StatementDavid B. Lyons ; [book designed by Vincent Kibildis ; ill. of theorbo, a 17th century lute, by Lena Lyons].
SeriesDetroit studies in music bibliography ;, no. 40
LC ClassificationsML128.S7 L9
The Physical Object
Pagination214 p. :
Number of Pages214
ID Numbers
Open LibraryOL4746588M
LC Control Number78063602

Books: "Performance on Lute, Guitar, and Vihuela" edited by Victor Anand Coehlo. Contents: Six books or chapters: 51 fantasias, 8 Tientos, songs and intabulations – mostly for 6c vihuela, plus nine pieces (including six fantasias) for 5c vihuela, and nine pieces for 4c guitar. Secular Songs in Catalan, Spanish, Italian and French, including .   Guitar Resources Bibliographies & Repertoire Lists Search this Guide Search. Guitar Resources: Bibliographies & Repertoire Lists. Resources for guitar performance, research, and repertoire. Lute, Vihuela, Guitar to A Bibliography by David B. Author: Position Vacant. Lute, Vihuela, Guitar to A Bibliography. Detroit, MI: Information Coordinators, (Detroit Studies in Music Bibliography, 40) p. *(REF) ML M S94 Marcuse, Sibyl. A Survey of Musical Instruments. New York: Harper & Row, (REF) ML O95 B4 Oxford University. Bate Collection of Historic Wind Instruments.

  Packington's Pound - an anonymous baroque duet from the 16th Century arranged by Alan Grundy - A Grundy playing the Vihuela & N Anders playing the Lute . MS Add (Cosens lute book), color, single page at a time, with documentation. MS Add (Cosens lute book), monochrome, single page at a time. MS Add (Trumbull lute book), color, single page at a time, with documentation. MS Dd, color, single page at a time. MS Dd, monochrome, single page at a time. The vihuela, as it was known in Spanish, was called the viola de mà in Catalan, viola da mano in Italian and viola de mão in Portuguese. The two names are functionally synonymous and interchangeable. In its most developed form, the vihuela was a guitar-shaped instrument with six double-strings (paired courses) made of as were tuned identically to their contemporary Renaissance lute.   Many thanks for the reply Jan, the book on the Guistiniani guitar looks nice, there are some pictures of this guitar here, I like the design of the rose, it seems odd to see one that didn't have four- or six-fold symmetry, but it is rather elegant.. Barber and Harris' website is indeed very informative, I also have Barber's plan of the instrument in the Ashmolean, which is very clear.

Beginners Vihuela Chords — 5 strings or courses [also called "Guitarra de Golpe" by Mariachi] Black diamonds are root tones. Grayed tones are optional. White filled tones behind the nut are open string tones (to be included in chord). X ed strings at the nut are muted or not Size: KB. The Ultimate Guitar Book relates the history of the guitar, using photographs of over instruments. Noad, Frederick M. The Virtual Guitarist: Hardware, Software, and Websites for the Guitar. New York: Schirmer Books, [ML G9N58 ] McCutcheon, Meredith Alice. Guitar and Vihuela: an Annotated Bibliography. New York, N.Y. Guitar Bibliography: An International Listing of Theoretical Literature on Classical Guitar from the Beginning to the Present. Munchen: K.G. Saur, [Ref ML G8S4 ] An extensive classified bibliography ( items) of matters pertaining to the guitar. Author index and name index. Lyons, David. Lute, Viheula, Guitar to A. The Renaissance Vihuela & Guitar in Sixteenth-Century Spain Book - Mel Bay Publications, Inc.: Mel Bay Scholarly editions, which serve different purposes than performance editions, are not often designed with the modern guitarist in mind. For instance, Renaissance vihuela tablatures are usually transcribed with the open first string as G, not E.

Lute, vihuela, guitar to 1800, a bibliography by David B. Lyons Download PDF EPUB FB2

Genre/Form: Bibliographies Bibliography: Additional Physical Format: Online version: Lyons, David B. Lute, vihuela, guitar toa bibliography. Detroit. In David B. Lyons published his book, Lute, Vihuela, Guitar to A Bibliography (Detroit Studies in Music Bibliography, ).

Although the vihuela and guitar were included, the bulk of his information concerned the lute. There was not enough material in the book to satisfy the ever-growing need for information about the early guitar and vihuela.

General. There is no single-volume general history of plucked instruments to Smith (cited under Current Studies) provides a comprehensive general history of the lute until the end of the Renaissance, with abundant music article Ness and Kolczynski (under Current Studies) in New Grove gives an authoritative overview of the surviving sources of lute and vihuela.

There are thousands of printed and manuscript books of music for plucked-string instruments from the late fifteenth century through the end of the eighteenth of these sources were written for the lute or guitar; there were also a few books for lesser-known plucked string instruments: the vihuela, cittern, bandora, mandora, and orpharion, as well as instruments related to the lute.

This is the first book-length study in any language dedicated specifically to lute, guitar, and vihuela performance. Written by specialists of this music, it is intended for players, teachers, and scholars who are interested both in the history of performance, as well as in the specific interpretation of lute, guitar and vihuela music from the end of the fifteenth century to approximately Cited by: 3.

The authors' aim was to write a well-structured book with separate chapters for each instrument, such as the Renaissance and Baroque guitar, the Renaissance and Baroque lute, the vihuela, etc. This unique structure enables the reader to easily discover which composers wrote for a.

This is the first book-length study in any language dedicated specifically to lute, guitar, and vihuela performance. Written by specialists of this music, it is intended for players, teachers, and scholars who are interested both in the history of performance, as well as guitar to 1800 the specific interpretation of lute, guitar and vihuela music from the end of the fifteenth century to approximately Lute, Guitar, and Vihuela: Historical Performance and Modern Interpretation.

Ed Victor Coelho. Cambridge Studies in Performance Practice. Cambridge: CUP, [ISBN 0 6] J. Griffiths. Hunting guitar to 1800 Origins of the Trecento Caccia.

Gordon Athol Anderson Memorial Lecture, Armidale: University of New England, J. Griffiths. JOHN GRIFFITHS. performer (vihuela, lute, guitar) and researcher of Renaissance music and culture.

Research areas: music history and historiography, style studies and analysis, organology, notation, music printing, urban history, performance practice, early music pedagogy, and digital humanities.

Spanish Vihuela Tablature 9 French Lute Tablature 10 18 Conclusion 19 Bibliography 19 Making the Transition from Guitar to Lute A reference for students of the classical guitar wishing to know more of its Renaissance and Baroque predecessorFile Size: 1MB.

subject. For more detailed information, please refer to the bibliography below, as well as the sources these books make reference to.

Guitar, Vihuela and Lute were the main plucked-stringed instruments at the time, whilst not being the only ones: cittern, mandora. The shape (outline) of the vihuela is simlar to that of the modern guitar.

It has incurving sides and bouts, as if it is intended to be played with a bow, and some early instruments (of the late fifteenth century) may have been built in such a way that they could be played either with a bow (de arco) or directly with the fingers (de mano).However, by the time the vihuela reached its greatest.

His publications include Performance on Lute, Vihuela and Guitar (Cambridge, ) and Music and Science in the Age of Galileo. As a lutenist he has performed throughout North America and Europe and as a guitarist has released a CD Come on in my Kitchen, with his blues band.5/5(2).

This is the first book-length study in any language dedicated specifically to lute, guitar, and vihuela performance. Brings to light various new ideas about performance and technique for a wide range of instruments, including the fifteenth- sixteenth- and seventeenth-century Italian lute, archlute, theorbo, French Baroque lute, vihuela.

books. Many articles on the history and literature of the guitar have also come to light. 4 As a rule, these 4 Lyons, David B.: Lute, vihuela, guitar to a bibliography, Detroit, Information Coordinators, ; Rezits, Joseph: The Guitarist’sFile Size: 2MB. The vihuela (Spanish pronunciation:) is a 15th-century fretted plucked Spanish string instrument, shaped like a guitar (figure-of-eight form offering strength and portability) but tuned like a was used in 15th- and 16th-century Spain as the equivalent of the lute in Italy and has a large resultant repertory.

There were usually five or six [citation needed] doubled fication: String instrument (plucked). The vihuela, essentially a flat-backed lute, evolved in the midth century Kingdom of Aragon and was in common use in Spain and Italy by the late 15th through to the late 16th centuries.

The viol developed from the vihuela when players in the second half of the 15th century began using a. The Guitarist's Resource Guide: Guitar Music in Print and Books on the Art of Guitar.

San Diego, CA: Pallma Music Co, MLG8 R5 MUSIC REFERENCE. Includes music in print for guitar, lute, mandolin and vihuela, books on performance, construction and repair, history, notable guitarists and teachers, dictionaries, surveys and : Christopher Mehrens.

Lyons, David B. Lute, Vihuela, Guitar toA Bibliography. Music Library Ref MLS7 L9. MacAuslan, Janna. Guitar Music by Women Composers: An Annotated Catalog.

Concerning the Guitar and the Lute. in the Collection of Kenneth Sparr Books, journals and related material. 19th Century Music for the Guitar in the collection of Kenneth Sparr. Prints, engravings and related material: General, Lute, Guitar. Kenneth Sparr. Books, journals and related material. 6 Saiten.

Österreichische. Related: guitarron vihuela strings vihuela morales classical guitar lute violin vihuela case charango requinto vihuela strap bajo quinto baroque guitar Refine more Format.

The following is a bibliography of classical guitar related publications. The classical guitar (also called the "Spanish guitar" or "nylon string guitar") is a six-stringed plucked string instrument from the family of instruments called classical guitar is well known for its comprehensive right-hand technique, which allows the soloist to perform complex melodic and polyphonic.

Lute, Vihuela, Guitar to A Bibliography. C $ From United States. C $ shipping. VIHUELA CHORDS POSTER 13X19 - 48 CHORDS CHART. C $ Top Rated Seller. Was: Previous Price C $ From United States. C $ shipping. Performance on Lute, Guitar, and Vihuela: Historical Practice and Modern Inte.

Gilmore, George. Guitar music index: a cross-indexed and graded listing of music in print for classical guitar & lute Honolulu: Galliard Press, REF MLG G4. The Guitar Review music index: an index of music published in Guitar Review. Guitar Review. REF MLG G9. Lyons, David. Lute, Vihuela, Guitar toa Bibliography.

Lute, Vihuela, Guitar to A Bibliography. $ $ shipping. Watch. Disney Elena of Avalor Scepter of Light & Vihuela Guitar And Size 7/8 Dress. $ $ shipping. "Mariachi Mastery" MUSIC BOOK/CD FOR Armonia (Guitar & Vihuela)-NEW ON SALE!. $ $ shipping. Watch. LIBROS DE MUSICA PARA VIHUELA NEW CD.

$ Free. The repertoire of the Spanish vihuelists that is known to have survived is found inseven books and in a few unpublished manuscripts dedicated specifically to the vihuela,as well as in two books of music considered interchangeable with the harp, lute, andvihuela Diana Poulton, “The Lute in Christian Spain” The Lute Society Journal, Vol.

The vihuela is a guitar cognate, but the tuning, technique of playing, texture and forms of its music and the repertory of pieces associate it with the lute. Closer examination of the vihuela books clarifies this. The vihuela was not the instrument which would later evolve into the guitar; the latter was considered another instrument entirely.

Is the vihuela a guitar or lute. The answer is "yes." Yes, it is branch of the guitar evolutionary tree, probably derived from the popular "folk" instrument, although later supplanted by the five course "baroque guitar." However, it assumed the tuning and technique of the lute, in fact owes some of its popularity in 15th and 16th century Spain.

It includes representative selections, edited for modern guitar, from the seven books for vihuela that were published in Spain between and As well as being fun and entertaining music for all to enjoy, these collections are intended to help bridge the gap between scholarly editions and performance editions by providing a hands-on 4/4(7).

The birth of Vihuela happened in early s when lutenist (music instrument artisans) from Spain, Portugal started producing instrument “vihuela de mano”, a vitol-shaped guitar that was tuned like a lute (which was continued to be used there for centuries more).

A history of the lute from antiquity to the Renaissance by Douglas Alton Smith. Book description The lute was the most important and versatile instrument in Europe throughout the Middle Ages and Renaissance before yielding its place to keyboard instruments in the 17th century.Guitar and vihuela: an annotated bibliography of the literature on their history.

Reference: ML G8 M45 Moser, Wolf, ed. Gitarre-Musik: ein internationaler Katalog. Z G8 M92 Schwarz, Werner. Guitar bibliography: an international listing of theoretical literature on classical guitar from the beginning to the present.

Z Author: Jason Imbesi.Mexican vihuela. Although the Mexican vihuela has the same name as the historic Spanish plucked string instrument, the two are Mexican vihuela has more in common with the Timple Canario (see: timple) due to both having five strings and both having vaulted (convex) Mexican vihuela is tuned similarly to the fication: String instrument.